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“Now then, Later in the evening, as Isobel moved about the drawing-room in a flounced white frock, her shimmering hair falling over her shoulders, and her dainty high-heeled silver-buckled shoes skimming the roses on the carpet, Moses’ eyes followed her in wonderment. Never before had he seen a creature so dainty, so airy, and so altogether like a princess. Betty was just plain Betty, straight hair plaited stiffly and tied with red ribbon, tanned face and hands, and big brown eyes “looking like they loved everybody.” But here was a girl who could turn disdainful hazel eyes on one and could make one feel like an ignoble worm. Somehow Moses liked feeling like a worm, Isobel Crump was so immeasureably above him that he might as well feel like a worm as like any other more noble inhabitant of this terrestrial globe. All went well for some blocks. There was a flattering audience at each front door; a few honored the pageant by following. These were mostly mothers of the younger children, who knew the possibilities of such an aggregation of animals and boys..
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Conrad
Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. And gents your black and tan, “Jiminy crickets! What’s happened, kid?” Billy asked, slowing up beside him. “Mary an’ Martha hev jist gone along to ring them shinin’ bells.”.
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